Renewed Hope from Liberal Arts, Your Voice in My Head & Losing Clementine

Renewed Hope from Liberal Arts, Your Voice in My Head & Losing Clementine

The first three months of this year have been a soul searching, existential struggle. After an urgent and unplanned escape to Jamaica, I have a renewed sense of hope to share with you.

MOVIE WATCH: Liberal Arts

I caught this gem of an indie movie on Air Transat’s in flight experience, but it also available on Netflix. The premise revolves around 30something year old Jesse – recently dumped and uninspired by his job in college admissions.

His retiring professor invites him back to his alma mater for a final hurrah. While there he meets Zibby (Elizabeth Olson), a sophomore bursting with possibility and maturity beyond her years. Side note: I now have a girl crush on Olson who is so authentic and delicious to watch. Think Maggie Gyllenhaal meets Jennifer Lawrence.

This film could have become a predictable rom com but the Zibby/Jesse relationship is really just a catalyst to explore the fact that adult life has not lived up to 20 year old Jesse’s expectations.

On a personal level, I connected with this yearning to go back in time. To shrug off the chain-linked cloak semi-adulthood has gifted me. The past always looks rosy through hindsight’s glasses. But we all have to keep moving forward and embracing the next phase, which was emphasized by the Professor’s departure (Richard Jenkins).

As Jesse struggles with his decision to get intimate with Olson, he’s really wrestling with igniting passion back into the adult version of his life. But how and does the fire still burn? If you feel lost, this movie will make you feel less alone.

MUST READ NOVELS: Your Voice in My Head / Losing Clementine

Both pieces of fiction revolve around female protagonists who are clinically depressed yet successful in their creative careers. Don’t be put off by the heavy subject matter – these women see humour in everything and are endearing because of their self deprecating and honest world view. Both books are page turners that will give you perspective.

Your Voice in My Head is a memoir written by Emma Forrest (coming to theatres in 2014), who developed self defeating behavior in adolescence (bulimia, cutting, attempted suicide), despite growing up in a normal, loving household.

Emma sank deeper into self loathing behaviour after unhealthy relationships with both men and women until she met her therapist Dr. R. She ultimately gained freedom from her demons after dealing with his untimely death and a heart wrenching break up all on her own.

Emma’s writing is breathtakingly beautiful, here is a taste:  Time heals all wounds and if it doesn’t, you name them something other than wounds and agree to let them stay.

 

Losing Clementine review

Losing Clementine, a great beach read.

On the other hand, Ashley Ream’s Losing Clementine is about an artist in her late 30’s who cannot overcome her scarring past with therapy or medication. She was abandoned by her father and raised by a single, maniacally depressed mother who ultimately died alongside Clementine’s sister.

Clementine gives up and hatches a meticulous and thoughtful suicide plan. She has 30 days to tie up loose ends and live each day like it is her last. It is her pursuit for closure that forces her to confront forgiving herself and her family history.

A Caution on Comparisons

If I were to give advice right now to myself and by extension to you, it would be to stop blindly comparing yourself to people who have more than you because you are ignoring the other half of the population that has less. #1 doesn’t really exist and the race is in your head.

Despite the bombings in Boston, the universe is doling out energizing surprises to everyone around me. It is easy to  ignore the blessings we already have and engage in self pity. Let’s choose to believe that the positive energy is contagious and we’ll be eating fistfuls of confetti sooner than we think.

On Personal Development in 2012 and Attacking Goals in 2013

Sigh…there’s nothing quite like writing in a brand new notebook, cracking open page 1 of a delicious new book or wiping your proverbial slate clean for the dawn of a New Year.

“Out with the crappy old and in with the new!”, dozens of Facebook-ers proclaimed in unison on January 1st.  Oddly enough, those same people waxed poetic on their daily lives in 2012.

There are two things that turn me on: the truth and goal setting (click for a helpful template). I know I’m late to the party, but here is my honest 2012 year in review.

THE GOOD

  • I gave a new boy a chance and let our connection grow slowly overtime.  Try as I might to kill our romance through the act of over analyzing (my weapon of choice) we managed to celebrate our 1 year anniversary this weekend at St. Anne’s Spa.
  • I lost my surprise birthday party virginity thanks to my best friend, mom and boyfriend.
  • I nurtured my travelling spirit in Croatia, Italy and Greece, with travel lessons along the way.
  • I got my “screen” on at the Toronto Screenwriting Conference after selling my less relevant World Domination Summit ticket for a loss (this was a tough call).
  • I finally invested in this short film writing courseand created 3 short film concepts.
  • I won a ticket to the Innoversity Summit on twitter and got my employer to send me to Next Media to learn about the many faces of media.

St. Anne's Spa: only worth it if you get a last minute deal.

THE MEDIOCRE

  • I got stuck on page 60 of my first feature film and mentally beat myself up. In all fairness, I bit off more than I could chew…
  • I made half hazard attempts to cook but still spent a gazillion dollars eating out
  • I did not redesign this blog as planned. Instead I wrote less about my love life and more about my writing life. To my chagrin, my snarky tone was replaced with a more earnest one and I’m still struggling to find my true voice.

2012 was as bumpy as this beach-side Dominican horseback ride

THE UGLY

  • Everything stressed me out including yoga, travel, my boyfriend and friends. I couldn’t let myself enjoy “non productive” tasks and felt like an observer of my life, instead of a present participant
  • I didn’t get into a solid, consistent writing routine. I was maniacal about making time to write, which took the fun and inspiration out of it. I did not walk the talk.
  • I did not get promoted at work but my motivations were to shut my mom up, keep up with the business school Jones’s and make more money), so…

Screw the ugly! How I felt on Dec 31, 2012...not bad

On Being Zen, Believing and Deciding in 2013

These are the three words that I want 2013 to embody (see Chris Brogan for more on this annual ritual).

  • Zen: To indulge in life’s pleasures with less guilt. To keep calm in the face of pressure and stress. To compare myself less to others. To remove senseless noises and distractions. To enjoy the journey.
  • Believe: To believe in myself and therefore fear less so that I can write and do. To listen to my inner voice
  • Decide: the final step is to make decisions I’ve been toying with, take action and move forward.

I want to actually finish things that I start. To walk the talk and stop feeling like a failure. To define success on my own terms and live a more balanced life. To feel free.

What do you want out of 2013 and how can you set the wheels in motion? Which tools, Apps, Courses, rituals, people and attitudes do you need?

7 Tips to Write a Strong Short Film Script & Other Life Lessons

I just finished taking a six week short film writing course at the magical Hart House and it was the highlight of my week.

For starters, the instructor was legit, with an LA Agent and TV writing credits. Homeboy knew a lot. Not only that, but he was outgoing and personable (can be rare with writers), passionate and eccentric.

The class size was small (6 – 8 people) so it was an intimate environment, with the ability for personal attention. That being said, most of the coaching came from the instructor’s willingness to review work outside of class time.

While I’ve read my share of screenwriting books, the in person format was far more effective likely because we saw real shorts and identified their critical moments and themes.

I can’t believe I waited this long to take a formal writing course – it just goes to show that I wasn’t willing to invest in myself or my dream before. I didn’t believe it. Friends, do me a favour and believe in your dreams. Invest in yourself.

Anyone want to take themselves seriously? Anyone?

7 Ways to Make your Short Film Script even Better

  1. 1. Focus less on the dialogue and more on the visuals. Try to convey world, character and conflict with as little dialogue as possible (this one is tough for me).
  2. Use as many symbols as possible to relate to your theme and key conflict, including but not limited to: the weather, a colour and its meaning, a name, an object and much more.
  3. The inciting incident that propels the action forward should happen on page 1
  4. The action should happen quickly with one scene per page. Each scene can be in the same location with the same characters, but a mini conflict happens to shift the balance/power and move forward.
  5. Weave positive and negative moments through the script. The moments can be a visual image and are not restricted to dialogue from the actors.
  6. 2-3 distinct crisis points precede the climax. Did you know that? Because I sure didn’t. In fact, a whole series of mini conflicts build up to it; everything adds tension.
  7. The climax does not have to be a larger than life, overwrought, dramatic moment. It can be understated and still have meaning.

I got stuck on my feature (still am) but now have 3 short film scripts in development (still challenging to get them just right). Writing shorts was so personally freeing for me – anything goes (not that mine are too outlandish), but you get to create worlds and characters around any one moment in time.

Maybe I’ll hate them a week from now but they gave me the confidence to integrate writing into my life more than once a week and to simply try and fail and experiment and write.

If you’ve bitten off more than you can chew, try setting a smaller more attainable goal first to build your confidence and skills.

What single action did you take in 2012 to get your mojo going?

 

PS here’s another helpful article on how to write great short film scripts from Raindance Canada.

PPS here is the next screenwriting course offered at Hart House in February

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